Tension is generated in music by approaching, but not arriving at, a tonal release; in narrative film rising action sets up the climactic hook. It can be as understated as John Cage or as excessive as Richard Wagner; as intense as the final scene of Citizen Kane, or as subtle as the moment when the cigarette is lit in Andy Warhol’s film “Haircut” – a moment that inspired “tumultuous joy and release” for Dave Hickey. The physics of the natural world rhyme with those in the emotional; the more potential energy stored in a rock at the top of a cliff, the more kinetic energy will be released when it is pushed off. In art, when employed effectively, this relationship activates the viewing experience the same way a piston activates an automobile or a love scene activates one’s emotions. The artists in the Tension/Release exhibition harness this unsprung potential with work that appears stable for the moment, but threatens to collapse into disorder, either literally or metaphorically.

Hanging precariously above viewers’ heads, Alejandro Almanza Pereda’s bowling balls and Atsushi Tameda’s “Pinnochio” provoke uneasiness in different ways. Pereda’s work implicitly threatens the viewer, while the subject of Tameda’s piece threatens only its desperate subject. Ron Baron’s tower of stacked mundane objects hovers disquietingly, while, closer to the ground, Miguel Angel Rios’s spinning tops feed on tension, both literally and representationally. Stephen Reynolds’s sculptures simultaneously conjure the safety of a pillow and the implicit danger in an irregular stack of unsecured concrete objects. Nathan Redwood and Billy Malone generate tension through exquisitely rendered drawings of teetering constructions that seem poised to fall, as Javier Piñón’s cowboy tempts fate as he squirms atop a stack of wobbly chairs.

Some work in Tension/Release utilizes the notion obliquely and conceptually. Roland Flexner’s subdued “bubble” drawings illustrate the fragile life of an inky soap bubble in three stages, while Michael Womack’s mechanical televisions explore the dialectical relationship between bursts of new technology, their obsolescence and subsequent rebirth in later technologies. Taking the form of printed documents, Brian Clifton explores the latent tension housed in a variety of ill-conceived human interventions intended to ameliorate a problem that they ended up exacerbating. Dannielle Tegeder’s sculpture investigates how individuals negotiate social spaces in relation to architecture, in turn, reflecting the dynamics and tension of the surrounding urban landscape. William Lamson’s video “Duel” contrasts an idyllic, snow-covered setting against a jarring display of black balloons being shot with a handgun. Like Warhol with “Haircut,” Lamson uses the subtlety of his introduction to intensify the climax.

Other works in Tension/Release address the issue more psychologically, through implied narratives that initially appear stable, but are ultimately destined to deteriorate. Carlos and Jason Sanchez’s “John Mark Karr” (the man who confessed to killing JonBenet Ramsey), stares into a mirror, sending the viewer guessing about what deviant scheme is hidden behind his stoic demeanor. Likewise, the cast dung "disaster” series of John Stoney and the eerie futurescapes of Michael Schall bring viewers into the middle of unsettling scenarios that walk a narrow line between comedy and tragedy.

For images or other information about this exhibition, please contact Shane McAdams at 212-727-8304 or email at shane@carengolden.com

Tension/Release

Summer Group Exhibition
July 7 - August 8, 2008
Opens July 10, 6:00 PM - 8:00 PM

Works

Summer Show

Tension Release, Summer Show, 2008

Adventures into the Unknown

John Stoney, Adventures into the Unknown, 1998

Untitled

Javier Piñón, Untitled, 2008

Untitled (tops 529)

Miguel Angel Rios, Untitled (tops 529), 2007

Untitled (tops 456)

Miguel Angel Rios, Untitled (tops 456), 2007

X9

Roland Flexner, X9, 2002

John Mark Karr

Carlos & Jason Sanchez, John Mark Karr, 2007

Spare the rod and spoil the child

Alejandro Pereda, Spare the rod and spoil the child, 2008

Raising the Second Moon

Michael Schall, Raising the Second Moon, 2008

Suicidal Pinocchio

Atsushi Tameda, Suicidal Pinocchio, 2003

8 Bit Blip

Michael Womack, 8 Bit Blip, 2008

That's what you think

Billy Malone, That's what you think, 2008

Duel

Will Lamson, Duel, 2008

The Longest Day

Stephen Reynolds, The Longest Day, 2008

End of an Error

Ron Baron, End of an Error, 2008

Big Miracle

Ron Baron, Big Miracle, 2008


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